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Posts tagged with "Marvel"

Jul 9

➩ Capone remembers that he always loved the kid behind the mask, thanks to Marc Webb's THE AMAZING SPIDER-MAN!!!

I really hope Webb finishes out his vision of Spider-Man in sequels. I’d hate to see anyone else continue the Gwen Stacy saga, especially if it plays out as it does in the comic books. He has such a sure and steady hand when it comes to human drama that it would be a shame to let anyone else touch this world that he has meticulously built.

Right on. I agree with just about everything in this review.

Jul 9

The Amazing Spider-Man (2012)

Rating: ★★★★★★

For those who don’t know, I’m a bit of a Spider-Man scholar. Between 2006 and 2007, having been a lifelong fan, I read every Spider-Man issue to that point, and I’ve stayed current ever since (that was around 1400 issues, between Amazing Spider-Man, Spectacular, Sensational, Web of, and the other titles that have existed since 1962). In addition, I’ve viewed most animated and live action incarnations of Spidey as well, and have I learned very much about the comic book as an art form, and Spider-Man as a character, in so doing.

In a historical context, one thing defines his character, and a new breed of superhero along with him: he’s a superhero with problems. Peter Parker can’t get a date, Spider-Man doesn’t always defeat the bad guy, and sometimes he can’t save the lives of those closest to him. He was a teenager, not an adult, and had typical teenager’s problems (awkwardness, getting bullied, etc.), in addition to an incredible stable of nemeses to battle.

But once the troubled hero became the norm, what trait has defined him and kept him popular, in the top tier of superheroes alongside Superman and Batman? To me, it’s his sense of humor (though certainly, his strong cast of villains has also helped).

That brings me to his latest incarnation, this summer’s The Amazing Spider-Man. In short, they nailed it. I have a couple minor gripes (as you’d expect from someone as familiar with the character’s history as I am, and I’ll note them, but they don’t even come close to dinging the armor of this movie.

They brought his character back to high school, where he stayed for a long time in the comics. Sam Raimi, who directed 2002’s Spider-Man, brought the character to college as quickly as he narratively could. I have a feeling Peter Parker was in college during the years Raimi actively read the comics. But there’s a lot more drama in the high school environment. And since they focus on Parker as a teenager, they cast an actor (Andrew Garfield) who looks believably like a teenager in his role.

Let’s talk about Garfield for a moment. I don’t think he’s necessarily perfect as Parker, but there may not be anyone who is. He’s skinny, he’s closer to the right age, he comes across as intelligent, and he knows how to deliver a punchline, all good things. My only problem with him, and it’s both minor and a little intangible, is that he seems too cool. Maybe they shouldn’t have had him wear contact lenses? Or maybe not put any product into his hair? I haven’t been able to put my finger on it, but he just doesn’t seem uncool, which Peter Parker definitely is. I think it bothers me, because that’s one trait with which I have always identified. That aside, Garfield did a great job, and offers a markedly more faithful performance in the role than Tobey Maguire did.

The rest of the cast did a great job as well. I especially liked Denis Leary as Captain Stacy. I’ve liked Emma Stone in other movies, and thought she played Gwen Stacy well. But how is she an employee at Oscorp as a high school student, when it seems that even college students are interns there? I think it was a little strange, and though it added conflict, it didn’t make any sense1. Also, the characters go to “Midtown Science High School”? Peter Parker has always attended “Midtown High School” (located in Queens, rather than midtown Manhattan, as the name would suggest). It makes sense that today, Peter (and fine, Gwen) would go to a science magnet school. But I balked at the name as soon as I realized who else must go there: Flash Thompson. That, as well, just doesn’t make any sense to me.

But I’ve spent enough time nitpicking. I only paid attention to those minor points for seconds, and just about everything else was done pretty damn well. The movie handled many things differently than the prior film series, just about all of them areas where the new movie showed higher fidelity to the source material. Spider-Man unmasking in almost every scene? He’s had identity problems in the comics, especially recently. Mechanical web shooters? He’s had those from the beginning. Looking beat up a lot of the time? Of course he should, and of course people would notice. He does heal pretty quickly though, as explained numerous times in the comics. Spider-Man hunted by the police? That encompasses a long stretch of the character’s history. A certain spoiler-y character dying (you know who I mean if you’ve seen the movie)? He/she died in the comics, to great dramatic effect. Marc Webb got way more things right than wrong with this movie.

The effects were great throughout. Spider-Man moves how I’ve always imagined he would, and you get to see him swing around a lot more in this movie. The point-of-view shots were also awesome (especially in 3D, see below). I wasn’t thrilled with the new costume design when it first started popping up on the Internet, but seeing it onscreen, it never bothered me. There’s no way his character could have actually designed and constructed it himself, as in the last movie, but I’ll let it go.

One other thing I wanted to discuss was the use of 3D in this movie. I haven’t seen a ton of movies in 3D. I’ve seen a bunch of Pixar movies, Coraline, and Avatar. Spider-Man’s 3D blew me away, though. Having seen it in 3D, I wouldn’t want to see it any other way (which was how I also felt with Coraline. It was shot with a RED Epic camera in 3D, and you can really tell. It looked like you were seeing the movie the way the director and cinematographer intended, rather than as a popup book, converted after the fact. It was immersive, without resorting to any gimmicky shots that would look retarded in 2D.

I remember when the original Spider-Man came out, it stayed my favorite movie for a long time. I watched and rewatched it, and waiting obsessively for each sequel. the one overriding thing that separates this movie from the those preceding it, I would say, is its sense of humor. Raimi’s movies certainly had their funny moments, but Parker’s character comes across as much more moody in them. Garfield’s rendition rings much truer to Spider-Man’s roots. I can’t wait for the sequel to come out. I really want to see where the series goes, and hope that Sony keeps Marc Webb on board – he knows what he’s doing. After seeing this remake, I almost don’t want to watch the 2002 version again. I’m fairly certain it won’t hold up, and a major piece of my past will die when that happens.

Links: IMDb | Blu-ray | DVD


  1. Update 7/11/2012: Emma Stone (who plays Gwen) mentioned in an interview on AICN that she was “head intern”, which I suppose makes a little more sense. And since the intern program is going to be largely composed of college students, that means she’s pretty smart. They could have driven that point home a little more, though, so it made more sense. 

➩ Quint has a theory about a certain spoilery plot point in The Avengers he wants to share...

I had this same thought when I saw The Avengers. Glad to see I’m not the only one. Don’t read it if you haven’t seen the movie.

➩ The Avengers (2012)

Rating: ★★★★★★

I entered the theater this weekend with a little trepidation. The last time I watched a movie with its bar set so high, I was disappointed. That movie was The Dark Knight – undoubtedly a good movie, but especially in the wake of Heath Ledger’s death, I felt that the press laid the superlatives on a little too thickly. Similarly, every review I skimmed for The Avengers universally said good things. Did it live up?

In short, yes. Absolutely. I can’t remember the last time I enjoyed a movie in the theater as much as this one.

An Avengers or Justice League movie has been rumored or planned for a long time now, but it always seemed like one would never get made. There seemed to be a few key things standing in the way:

  1. Superhero movies typically spend a lot of time on the “origin” story of the title character, and an ensemble superhero movie wouldn’t have any time left over for the actual story.
  2. It would be difficult to assemble a good cast, with each hero’s face recognizable.
  3. Getting all the actors to act in concert, rather than stealing the show, would be difficult.

Marvel solved the first two issues with a brilliant strategy: debut each major character in his own franchise, and lock the actors1 into an Avengers movie, should the plan proceed and the ensemble movie get made. First we had Iron Man and The Incredible Hulk in 2008, then Iron Man 2 introduced The Black Widow in 2010, and Thor and Captain America got their own movies in 2011. Thus, the stage was set. We knew who each character2 was before millions of our butts packed the seats this weekend, and they were almost entirely the same principal (and secondary) cast.

Point 3 was addressed by Joss Whedon, who made sure that each actor kept in line and served the story. The exchanges between all of the Avengers rang 100% true to me, a fan of the comics for years. Tony Stark stole the show a little, but you expect him to, and it was a plot point in the movie.

I can’t imagine a better Avengers movie than the one we got. Whedon nailed each character on the head, and gave fans everything they wanted, on top of an experience that could be appreciated by non-fans as well (assuming you were at least a fan of the characters’ individual movies).

The Avengers felt more like the original comics than any other superhero movie I’ve seen (and I’ve seen just about all of them). As much as I like Christopher Nolan’s interpretation of Batman (I really do), he’s breaking new ground in most ways. There are elements of Frank Miller and a handful of other writers and artists, but the vision is clearly his own. Whedon gave us the characters we already know and love, and there’s something magical about seeing that on the big screen.

Having read the various Avengers comic titles for a while, you get to know each of the characters, and how they interact. For instance, when Spider-Man fights The Hulk, Spider-Man is clearly the underdog. Thor, though, is in the same power-class and you expect a more even match. These and other truths are maintained consistently across time and creative teams, and Whedon demonstrated that.

Marvel comics in particular also offer something not typically seen in movies. While reading any given issue, you expect random characters from Marvel’s other series to pop up. I loved seeing secondary characters from Thor and Iron Man casually thrown into The Avengers, as if it only required ink and paint on a page (and again, played by the same actors, so no explanation3 was required).

We got awesome superheroes together fighting a serious threat, destroying New York City in photorealistic fashion, just like on an expertly drawn page. I couldn’t think of a single way Whedon should have changed the movie. Great job all around. The bar has been permanently raised.

Given how well this movie has down (and will surely continue to do), a sequel is assured. But will we ever see a Justice League movie? Can they solve the problems listed above in a similar manner? I’m not so sure. DC is making a Wonder Woman movie, they’re rebooting Superman, and are about to conclude a tremendously successful Batman franchise, but what about the rest of the League? Green Lantern fared rather dismally; would an Aquaman movie do much better? Time will tell.

Purchase links: Blu-ray | DVD


  1. Yeah, Ed Norton fell through, for reasons unbeknownst to me. Oh, well. 

  2. Of course Hawkeye was new, but for the purposes of the movie, all you needed to know was that he’s a marksman with a bow, and that was demonstrated pretty easily. 

  3. The line I’m referring to happens in the last 10 seconds, if you want to skip the rest. 

Scarlet Spider

I’m really enjoying the new Scarlet Spider series that started a few weeks ago. I’m glad that Marvel brought back the Kaine character from the Clone Saga, as he was my favorite part of it (especially The Lost Years1: some great John Romita, Jr. work). The first couple of issues (all that are out so far) have a very cinematic feel to them, with #1 going so far as to write its credits in a movie-style, one panel at a time.

The new costume is pretty cool, and I like it much more than the 90’s-era Scarlet Spider costume. Of course, they don’t explain how or why he acquired it, since he doesn’t plan on being a superhero, or he could just be in denial.

I like the tone, and I like that it takes place in Houston instead of NY. It makes sense Kaine would want to move out from under Peter Parker’s shadow. Also, the writers portray very well the conflict in Kaine: he doesn’t want to be a hero, but his Parker DNA doesn’t allow him not to intervene.

On a broader note, I find it interesting the direction Spider-Man has taken since J. Michael Straczynski’s departure. Straczynski tried almost rebooting Spider-Man, creating tons of new characters, adding new powers, etc. The new team has repeatedly gone back to his past history for inspiration and brought back older characters. With Spider-Man’s rich history and great cast of previous characters, I definitely like this approach more (though I did also enjoy the Straczynski period.


  1. There’s a nod to a prominent Spider-Man writer, J.M. Dematteis on a pizza box in the recent Scarlet Spider #1